All posts by media-man

Proton EVs Sell Well In Malaysia, Where Fuel Is Subsidized & Cheap

Malaysian national carmaker Proton achieved its highest quarterly sales volume since 2004 by delivering 49,140 units in the first three months of the year. This meant 40.1 percent year-on-year growth, a feat made more impressive by the fact that the broader Malaysian automotive market actually contracted by 4.9 percent during ... [continued]

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Malaysia’s Long-Running Serena Enters e-POWER Era with Solid Early Demand

Within the first month of release, the Nissan Serena e-POWER recorded over 1,300 bookings and around 250 deliveries nationwide, indicating solid initial demand for a midsized MPV in this price range. April deliveries are now approaching 1,000 units. Nissan assembler and distributor Edaran Tan Chong Motor introduced the sixth-generation version ... [continued]

The post Malaysia’s Long-Running Serena Enters e-POWER Era with Solid Early Demand appeared first on CleanTechnica.

How Should Progressive US Midterm Candidates Frame Their Arguments About Climate Change?

Progressives are already working hard to win back the US House of Representatives in 2026 as a fundamental piece of the “Stop Trump” strategy. The politicalization of climate change means that there is much at stake for climate activists in the upcoming election, as its results will help to shape ... [continued]

The post How Should Progressive US Midterm Candidates Frame Their Arguments About Climate Change? appeared first on CleanTechnica.

Paramedics for Ecosystems

Go behind the scenes with managing editor Jamie Smith Hopkins and investigative reporter Katie Surma as they discuss how the Shuar people in Ecuador are combining ancestral knowledge and modern science to protect their forest from a Canadian mining giant.

In the copper-rich mountains of southeastern Ecuador, residents working as “paraecologists” are documenting the biodiversity of their territory – home to endangered species, waterfalls, and medicinal plants – not simply for the record, but to protect the land from mining.

Someday

Hope it helps

My old pal Dean Landsman pointed me to this post about Fake Fans, and much else, by Eliza McLamb, a musician, and much elseShe's great. And she's from Chapel Hill. Go Heels!

Anyway, like many musicians, Eliza has problems with how f'd up music/recording/streaming/performing/promoting systems and industries are. I have an answer to that, which Dean and others helped author in ProjectVRM, and I wrote about in Linux Journal back in 2015. Since the images are gone from that archive, I just re-published it on this blog.

An Immodest Proposal for the Music Industry

How music listeners can fill the industry’s “value gap.”

This piece was my column for the November 2018 issue of Linux Journal. I’m running it again here for three reasons: 1) It’s still timely and worth resurfacing, 2) Linux Journal’s archives are now absent of images (and I’m an image guy), and 3) I think this one answers some of what  Eliza McLamb, who hails from Chapel Hill (a town I still miss) calls for in her excellent Fake Fans post on Substack. For that answer, scroll down to the section for EmanciPay.


From the 1940s to the 1960s, countless millions of people would put a dime in a jukebox to have a single piece of music played for them, one time. If they wanted to hear it again, or to play another song, they’d put in another dime.

In today’s music business, companies such as Spotify, Apple, and Pandora pay fractions of a penny to stream songs to listeners. While this is a big business that continues to become bigger, it fails to cover what the music industry calls a “value gap.”

They have an idea for filling that gap. So do I. The difference is that mine can make them more money, with a strong hint from the old jukebox business.

For background, let’s start with this graph, from the IFPI’s Global Music Report 2018:

You can see why IFPI (ifpi.org) no longer gives its full name: International Federation of the Phonographic Industry. That phonographic stuff is what they now call “physical.” And you see where that’s going (or mostly gone). You can also see that what once threatened the industry—”digital”—now accounts for most of its rebound:

That second graphic is also a call-out from the first. Beside it is this text: “Before seeing a return to growth in 2015, the global recording industry lost nearly 40% in revenues from 1999 to 2014.”

Later, the report says, “However, significant challenges need to be overcome if the industry is going to move to sustainable growth. The whole music sector has united in its effort to fix the fundamental flaw in today’s music market, known as the ‘value gap’, where fair revenues are not being returned to those who are creating and investing in music.”

They want to solve this by lobbying: “The value gap is now the industry’s single highest legislative priority as it seeks to create a level playing field for the digital market and secure the future of the industry.” This has worked before. Revenues from streaming and performance rights owe a lot to royalty and copyright rates and regulations guided by the industry. (In the early ’00s I covered this like a rug in Linux Journal. See here.)

But there’s another way to fill that gap: on the listening side. You can see a hint in that direction from growth in live performance revenues. According to Statista, live music industry revenue “will grow from 9.28 billion U.S. dollars in 2015 to 11.99 billion in 2021. Of the revenue generated in 2016, over two billion U.S. dollars was generated in sponsorship and a further 7.4 billion U.S. dollars came in ticket sales. The industry is expected to grow further in the coming years as the compound annual growth rate for live music ticket sales is estimated at 5.23 percent between 2015 and 2020.”

According to a 16 July 2018 post in Pollstar, “There is perhaps no better indicator of a robust 2018 live market than Pollstar’s Mid-Year Top 50 Worldwide Tours chart. This year’s survey saw a 12% jump in total gross from last year’s $1.97 billion to a record-setting $2.21 billion – a $240 million increase. It’s the chart’s biggest rise since 2015-16…”

Concert promoters are also raising prices. Says a 9 July 2018 report by ABC News, “The average price of a concert ticket during the first six months of the year was $46.69 — 4.2 percent higher than the average cost of a ticket for the same period last year, according to the latest figures from music industry magazine Pollstar. That price is almost 7 percent higher than the average for all of 2000, and an even more startling 43 percent increase over what concert tickets cost just three years ago, according to Pollstar.” That same report says sales are going down: a market signal that the prices are too high. But hey, people are clearly willing to pay a lot for live music and a participatory experience. This is an important clue.

Participation requires good signaling from both sides of the marketplace. So let’s look at the demand side, starting with what the streaming services pay to play us a tune. (The source is Tricordist):

To make that clearer, the top three streamers pay between 13.4% (Pandora) and 78.3% of a penny (1¢) to play you a song.

SiriusXM pays (it says here) “19.1% of the price of all audio packages which include music channels.” That means the $209.76 I paid last August for my SiriusXM subscription sent $40.01 to the rightsholders of all the music played on all the SiriusXM channels for my account over the following year, whether I listened to any music or not. (And mostly I listen to non-music channels.)

YouTube is another special case. The 2018 IPFI report says, “From publicly available data, IFPI estimates that Spotify paid record companies US$20 per user in 2015, the last year of available data. By contrast, it is estimated that YouTube returned less than US$1 for each music user. That’s a big part of the “value gap.”

Some of those rates are negotiated, others are set by regulation, and most are informed—one way or another—by both.

In no case, however, does the music listener pay for digital music on the jukebox model: with cash on a per-listen, per-song basis. (Note that a dime in 1960 was more than 100x what a streamer pays for the right to play a song for somebody.)

So that’s my proposal: create an easy way for any of us to pay what we want for the music we hear. This will give music lovers their own way to close the value gap—and then some.

As it happens, an easy way to do this was proposed by ProjectVRM (which I started at Harvard’s Berkman Klein Center) way back in 2009. It’s called EmanciPay, and here is how it is described on the project wiki:

Simply put, EmanciPay makes it easy for anybody to pay (or offer to pay) —

  1. as much as they like
  2. however they like
  3. for whatever they like
  4. on their own terms

— or at least to start with that full set of options, and to work out differences with sellers easily and with minimal friction.

EmanciPay turns consumers (aka users) into customers by giving them a pricing gun (something which in the past only sellers used) and their own means to make offers, to pay outright, and to escrow the intention to pay when price and other requirements are met. Payments themselves can also be escrowed.

In slightly more technical terms, EmanciPay is a payment framework for customers operating with full agency in the open marketplace. It operates on open protocols and standards, so it can be used by any buyer, seller or intermediary…

So, as currently planned, EmanciPay would —

  1. Provide a single and easy way that consumers of “content” can become customers of it. In the current system — which isn’t one — every artist, every musical group, every public radio and TV station, has his, her or its own way of taking in contributions from those who appreciate the work. This can be arduous and time-consuming for everybody involved. (Imagine trying to pay separately every musical artist you like, for all your enjoyment of each artists work.) What EmanciPay proposes, however, is not a replacement for existing systems, but a new system that can supplement existing fund-raising systems — one that can soak up much of today’s MLOTT: Money Left On The Table.
  2. Provide ways for individuals to look back through their media usage histories, inform themselves about what they have been enjoying, and to determine how much it is worth to them. The Copyright Arbitration Royalty Panel (CARP), and later the Copyright Royalty Board (CRB), both came up with “rates and terms that would have been negotiated in the marketplace between a willing buyer and a willing seller” — language that first appeared in the 1995 Digital Performance Royalty Act (DPRA), and was tweaked in 1998 by the Digital Millennium Copyright Act (DMCA), under which both the CARP and the CRB operated. The rates they came up with peaked at $.0001 per “performance” (a song or recording), per listener. EmanciPay creates the “willing buyer” that the DPRA thought wouldn’t exist.
  3. Stigmatize non-payment for worthwhile media goods. This is where “social” will finally come to be something more than yet another tech buzzmodifier.

All these require micro-accounting, not micro-payments. In fact micro-accounting can inform ordinary payments that can be made in clever new ways that should satisfy everybody with an interest in seeing artists compensated fairly for their work. An individual listener, for example, can say “I want to pay 1¢ for every song I hear on the radio,” and “I’ll send SoundExchange a lump sum of all the pennies I wish to pay for songs I hear over the course of a year, along with an accounting of what artists and songs I’ve listened to” — and leave dispersal of those totaled pennies up to the kind of agency that likes, and can be trusted, to do that kind of thing.

Similar systems can also be put in place for readers of newspapers, blogs and other journals. What’s important is that the control is in the hands of the individual, and that the accounting and dispersal systems work the same way for everybody.

I also proposed this earlier in EmanciPay: A Content Monetization Plan for Newspapers, and later in An Easy Way to Pay for Journalism, Music and Everything Else We Like. In the first of those I wrote, “Think of EmanciPay as a way to unburden sellers of the need to keep trying to control markets that are beyond their control anyway. Think of it as a way that ‘free market’ can mean more than ‘your choice of captor’. Think of it as a way that ‘customer relationships’ can be worthy of the label because both sides are carrying their ends of the relationship burden—rather than the sellers’ side carrying the whole thing.”

It’ll be fun to start doing that in the music industry.

A number of developments make the opportunity ripe now:

  1. The music industry is far less scattered and conflicted about its nature (digital now) and future (gotta make up that value gap) than it ever was in the past.
  2. Former enemies can be friends. For example, open source and the music industry have both won, and many aligned incentives can be found between them.
  3. Music listeners are clearly willing to pay value-for-value. We just need to create the ways. And it shouldn’t be hard. (Especially for Linux Journal readers.)
  4. The juke box and live performance examples both suggest that people shouldn’t have a problem saying, “I’ll be glad to set up a way to pay 1¢ every time I hear music I like.”
  5. Apple just bought Shazam, which is a way to identify music people hear. This kind of functionality can be brought into standard ways people can pay for music they passively hear (e.g. in a restaurant or at parties) and like.
  6. We’ve long needed a standards-based approach to tipping artists—or anybody—with maximal ease and minimal friction. One can be crafted out of work on EmanciPay.
  7. While most of my usual appeals in Linux Journal are to the hackers among us, this appeal is mostly to my friends (old and new) in the music industry. They have the connections, the talent, the legal smarts, the money, and the motivation required to make this thing work.

So let’s bring the people who love music into the marketplace as willing buyers. And do it by standardizing simple ways people can, by routine or impulse, be real customers of music, and not just passive consumers (or worse, what the industry used to call pirates). Let’s also create new ways, beyond payments alone, that artists and music lovers can signal each other, and have all kinds of creative fun.

The time is right. Let’s not let the opportunity pass.


Jukebox image by Davide Cavalli [CC BY 3.0 (https://creativecommons.org/licenses/by/3.0)], via Wikimedia Commons

VinFast Sells Over 3,520 Vehicles In A Day, Markets Move In India & Indonesia

VinFast sold 3,520 electric vehicles in a single day in Vietnam — an operational benchmark that matters less for its volume than for what it reveals. This was not a sales spike. It was a systems test. Production, logistics, and delivery aligned at scale, without visible friction. For a relatively ... [continued]

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A massive arctic thaw is unleashing carbon frozen for thousands of years

A sweeping new study reveals that as Arctic permafrost thaws, it is dramatically reshaping rivers and releasing vast amounts of ancient carbon that had been locked away for thousands of years. By analyzing decades of high-resolution data across northern Alaska, scientists found that runoff is increasing, rivers are carrying more dissolved carbon, and the thawing season is stretching further into the fall. This carbon eventually reaches the ocean, where some of it turns into carbon dioxide, intensifying global warming.

The EV Reformation At The Dealership Door

Seen through an Easter lens, the car dealership model looks a bit like the medieval Catholic church. It sat between ordinary people and the sacred object, translated doctrine, administered rituals, collected its dues, and reminded everyone that salvation could not be obtained directly. In the internal combustion car era, that ... [continued]

The post The EV Reformation At The Dealership Door appeared first on CleanTechnica.

Are Landfills The Wrong Place To Dispose Of Food Waste?

Landfills are not designed for food waste, which is organic and can decompose naturally. While it’s easy to throw out dinner scraps with the garbage, it’s not the most environmentally-sound method to discard unwanted food. In fact, the US Environmental Protection Agency admits that, while total emissions from municipal solid waste ... [continued]

The post Are Landfills The Wrong Place To Dispose Of Food Waste? appeared first on CleanTechnica.

Most U.S. states are warming but not in the way you think

Warming across the U.S. is far more uneven than it looks at first glance. While only about half of states show rising average temperatures, most are heating up in specific ways—like hotter highs or warmer lows. These hidden shifts vary by region, with the West seeing more extreme heat and the North losing cold extremes. The findings suggest climate change is playing out differently depending on where you live.

Why Trump’s ‘God Squad’ Is Not Like the God Squads Before It

“This idea that you can invoke a national security exemption when there is no threat to national security is not only brand new, it’s ridiculous.”

From our collaborating partner Living on Earth, public radio’s environmental news magazine, an interview by Jenni Doering with Pat Parenteau, an emeritus professor and senior fellow for climate policy at Vermont Law and Graduate School.

From early birds to emerging butterflies: UK shows signs of earliest spring on record

Citizen science data reveals early flowering, nesting and insect activity as global heating accelerate seasonal change

Bluebells are flowering, swallows are returning and orange-tip butterflies are flying in what could become Britain’s earliest recorded spring.

Records for early spring occurrences are being smashed as 2026 looks to be the earliest this century for frogspawn laying, blackbirds nesting, brimstone butterflies emerging and hazel flowering, according to Nature’s Calendar, which has logged citizen science records of seasonal change since 2000.

Continue reading...

Rooftop Solar Photovoltaic Systems Account for 20% of Puerto Rico’s Capacity Mix

Rooftop solar generating capacity in Puerto Rico totaled 1,456 megawatts (MW) at the end of 2025, 20% of the overall capacity mix. Rooftop solar capacity has increased faster than other sources over the past decade. Between 2016 and 2025 rooftop solar installations accounted for 81% of the new generating capacity ... [continued]

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Sierra Club Statement on Donald Trump’s FY2027 Budget Proposal

Washington, DC — Today, Donald Trump released his proposed budget for fiscal year 2027, which seeks to increase defense spending to a massive $1.5 trillion while slashing non-defense discretionary spending by more than $73 billion, including a 52 percent cut in funding for the Environmental Protection Agency and similarly drastic cuts across other critical ... [continued]

The post Sierra Club Statement on Donald Trump’s FY2027 Budget Proposal appeared first on CleanTechnica.

Sierra Club Wisconsin Slams We Energies for Rate Increase and Once Again Delaying Oak Creek Coal Plant Retirement

This week, We Energies has announced that it will once again delay closing its Oak Creek coal plant and that it intends to raise residential and small business rates by 4.7% in 2027 and 4.5% in 2028. The Oak Creek power plant was originally scheduled to close in 2023, but ... [continued]

The post Sierra Club Wisconsin Slams We Energies for Rate Increase and Once Again Delaying Oak Creek Coal Plant Retirement appeared first on CleanTechnica.

Meteor impacts may have sparked life on Earth, scientists say

Asteroid impacts may have helped kick-start life on Earth by creating hot, chemical-rich environments ideal for early biology. These impact-generated hydrothermal systems could have lasted thousands of years—long enough for life’s building blocks to form. Scientists now think these environments may have been common on early Earth, making them a strong candidate for where life began. The idea could also guide the search for life on other worlds.

The Social Media Addiction Verdicts Are Built On A Scientific Premise That Experts Keep Telling Us Is Wrong

Last week, I wrote about why the social media addiction verdicts against Meta and YouTube should worry anyone who cares about the open internet. The short version: plaintiffs’ lawyers found a clever way to recharacterize editorial decisions about third-party content as “product design defects,” effectively gutting Section 230 without anyone having to repeal it. The legal theory will be weaponized against every platform on the internet, not just the ones you hate. And the encryption implications of the New Mexico decision alone should terrify everyone. You can read that post for more details on the legal arguments.

But there’s a separate question lurking underneath the legal one that deserves its own attention: is the scientific premise behind all of this even right? Are these platforms actually causing widespread harm to kids? Is “social media addiction” a real thing that justifies treating Instagram like a pack of Marlboros? We’ve covered versions of this debate in the past, mostly looking at studies. But there are other forms of expert analysis as well.

Long-time Techdirt reader and commenter Leah Abram pointed us to a newsletter from Dr. Katelyn Jetelina and Dr. Jacqueline Nesi that digs into exactly this question with the kind of nuance that’s been almost entirely absent from the mainstream coverage. Jetelina runs the widely read “Your Local Epidemiologist” newsletter, and Nesi is a clinical psychologist and professor at Brown who studies technology’s effects on young people.

And what they’re saying lines up almost perfectly with what we’ve been saying here at Techdirt for years, often to enormous pushback: social media does not appear to be inherently harmful to children. What appears to be true is that there is a small group of kids for whom it’s genuinely problematic. And the interventions that would actually help those kids look nothing like the blanket bans and sweeping product liability lawsuits that politicians and trial lawyers are currently pursuing. And those broad interventions do real harm to many more people, especially those who are directly helped by social media.

Let’s start with the “addiction” question, since that’s the framework on which these verdicts were built. Here’s Nesi:

There is much debate in psychology about whether social media use (or, really, any non-substance-using behavior outside of gambling) can be called an “addiction.” There is no clear neurological or diagnostic criteria, like a blood test, to make this easy, so it’s up for debate:

  • On one hand, some researchers argue that compulsive social media use shares enough features (loss of control, withdrawal-like symptoms, continued use despite harm) to warrant the diagnosis for treatment.
  • Others say the evidence for true neurological dependency is still weak and inconsistent because research relies on self-reported data, findings haven’t been replicated, and many heavy users don’t show true clinical impairment without pre-existing issues.

Her bottom line is measured and careful in a way that you almost never hear from the politicians and lawyers who claim to be acting on behalf of children:

Here’s my current take: There are a small number of people whose social media use is so extreme that it causes significant impairment in their lives, and they are unable to stop using it despite that impairment. And for those people, maybe addiction is the right word.

For the vast majority of people (and kids) using social media, though, I do not think addiction is the right word to use.

That’s a leading expert on technology and adolescent mental health, someone who has personally worked with hospitalized suicidal teenagers, telling you that for the vast majority of kids, “addiction” is the wrong word. And she has a specific, evidence-based reason for why that distinction matters — one that should be of particular interest to anyone who actually wants platforms held accountable for the kids who are being harmed.

Nesi argues that overusing the addiction label doesn’t just lack scientific precision. It actively weakens the case for meaningful platform accountability:

Preserving the precision of the addiction label — reserving it for the small number of kids whose use is genuinely compulsive and impairing — actually strengthens the case for platform accountability, rather than weakening it. It’s that targeted claim that has driven legal action and regulatory pressure. Expanding it to average use shifts focus from systemic design fixes to individual diagnosis, and dilutes the very argument that holds platforms responsible.

This is a vital point that runs counter to the knee-jerk reactions of both the trial lawyers and the moral panic crowd. If you say every kid using social media is an addict, you’ve made the concept of addiction meaningless, and you’ve made it dramatically harder to identify and help the kids who are actually suffering. You’ve also given platforms an easy out: if everyone’s addicted, then it’s just a feature of how humans interact with technology, and nobody is specifically responsible for anything. Precision is what creates accountability. Vagueness destroys it.

We highlighted something similar back in January, when a study published in Nature’s Scientific Reports found that simply priming people to think about their social media use in addiction terms — such as using language from the U.S. Surgeon General’s report — reduced their own perceived control, increased their self-blame, and made them recall more failed attempts to change their behavior. The addiction framing itself was creating a feeling of helplessness that made it harder for people to change their habits. As the researchers in that study put it:

It is impressive that even the two-minute exposure to addiction framing in our research was sufficient to produce a statistically significant negative impact on users. This effect is aligned with past literature showing that merely seeing addiction scales can negatively impact feelings of well-being. Presumably, continued exposure to the broader media narrative around social media addiction has even larger and more profound effects.

So we’re stuck with a situation where the dominant public narrative — “social media is addicting our children” — appears to be both scientifically imprecise and actively counterproductive for the people it claims to help. That’s a real problem. And it would be nice if the moral panic crowd would start to recognize the damage they’re doing.

None of this means there are no risks. Nesi is quite clear about that, drawing on her own clinical work:

A few years ago, I ran a study with adolescents experiencing suicidal thoughts in an inpatient hospital unit. Many of the patients I spoke to had complex histories of abuse, neglect, bullying, poverty, and other major stressors. Some of these patients used social media in totally benign, unremarkable ways. A few of them, though, were served with an endless feed of suicide-related posts and memes, some romanticizing or minimizing suicide. For those patients, it would be very hard to argue that social media did not contribute to their symptoms, even with everything else going on in their lives.

Nobody who has paid serious attention to this issue disputes that. There are kids for whom social media is a contributing factor in genuine mental health crises. The question has always been whether that reality justifies treating social media as an inherently dangerous product that harms all children — the premise on which these lawsuits and legislative bans are built.

The evidence consistently says no. When it comes to whether social media actually causes mental health issues, the newsletter is direct:

The scientific community has substantial correlational evidence and some, but not much, causal evidence of harm. Studies that randomly assigned people to stop using social media show mixed results, depending on how long they stopped, whether they quit entirely or just reduced use, and what they were using it for.

And:

It is still the case that if you take an average, healthy teen and give them social media, this is highly unlikely to create a mental illness.

This is consistent with what we’ve been reporting on for years, including two massive studies covering 125,000 kids that found either a U-shaped relationship (where moderate use was associated with the best outcomes and no use was sometimes worse than heavy use) or flat-out zero causal effect on mental health. Every time serious researchers go looking for the inherent-harm story that politicians keep telling, they come up empty.

One of the most fascinating details in the newsletter is the Costa Rica comparison. Costa Rica ranks #4 in the 2026 World Happiness Report. Its residents use just as much social media as Americans. And yet:

It doesn’t necessarily have fewer mental illnesses. And it certainly doesn’t have less social media use. What it has is a deep social fabric, and that may mean social media use reinforces real-world connections in Costa Rica, whereas in English-speaking countries, it may be replacing them.

In other words, cultural factors appear to be protective. The underlying challenges to social foundations — trust, connection, belonging, and safety — are what drive happiness. Friendships, being known by someone, the sense that you belong somewhere: these are the actual load-bearing pillars of mental health, more predictive of wellbeing than income, and more protective against mental illness than almost any intervention we have.

If social media were inherently harmful — if the “addictive design” of infinite scroll and autoplay and algorithmic recommendations were the core problem — Costa Rica would be suffering the same outcomes as the United States. They have the same platforms, same features, and same engagement mechanics. What actually differs is the strength of the social fabric, not the tools themselves.

This is a similar point I raised in my review of Jonathan Haidt’s book two years ago. If you go past his cherry-picked data, you can find tons of countries with high social media use where rates of depression and suicide have gone down. There are clearly many other factors at work here, and little evidence that social media is a key factor at all.

That realization completely changes how we should think about policy. If the problem is weak social foundations — not enough connection, not enough belonging, not enough adults showing up for kids — then banning social media or suing platforms into submission won’t fix it. You’ll have addressed the wrong variable. And in the process, you’ll have made the platforms worse for the many kids (including LGBTQ+ teens in hostile communities, kids with rare diseases, teens in rural areas) who rely on them for the connection and community that their physical environment doesn’t provide.

Nesi’s column has some practical advice that is pretty different than what that best selling book might tell you:

If you know your teen is vulnerable, perhaps due to existing mental health challenges or social struggles, you may want to be extra careful.

If your teen is using social media in moderation, and it does not seem to be affecting them negatively, it probably isn’t.

That sounds so obvious it feels almost silly to type out. And yet it is the exact opposite of the approach we see in the lawsuits and bans currently dominating the policy landscape, which assume social media is a universally dangerous product requiring universal restrictions.

The newsletter closes with a key line that highlights the nuance that so many people ignore:

Social media may be one piece of the puzzle, but it’s certainly not the whole thing.

We’ve been making this point at Techdirt for a long time now, often in the face of considerable hostility from people who are deeply invested in the simpler narrative. I’ve written about Danah Boyd’s useful framework of understanding the differences between risks and harms, and how moral panics confuse those two things. I’ve covered so many studies that find no causal link that I’ve lost count. I’ve pointed out how the “addiction” framing may be doing more damage than the platforms themselves.

That’s why it’s encouraging to see credentialed, independent researchers — people who work directly with the most vulnerable kids — end up in the same place through their own work. Because this conversation desperately needs more voices willing to acknowledge both realities: that some kids are genuinely harmed and need targeted help, and that the sweeping narrative of universal social media harm is not supported by the science and leads to policy responses that may hurt far more people than they help.

The kids who are in that small, genuinely vulnerable group deserve interventions designed for them — better mental health funding and access along with better identification of at-risk youth. What they don’t deserve is to have their suffering used as a blunt instrument and a prop to reshape the entire internet through lawsuits built on a scientific premise that the actual scientists keep telling us is wrong.

Bisita Iglesia In The Age Of Energy Transition: Three Ways To Do It Cleanly

Every Holy Week, millions of Filipinos (wherever they are in the world) take part in Bisita Iglesia (literally, visiting churches), moving across cities and provinces to visit seven churches in a single day. It is a tradition rooted in faith, but in 2026, it is also an unintentional stress test ... [continued]

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Methodology

The American Trends Panel survey methodology Overview Data in this report comes from Wave 189 of the American Trends Panel (ATP), Pew Research Center’s nationally representative panel of randomly selected U.S. adults. The survey was conducted from March 16 to March 22, 2026. A total of 3,524 panelists responded out of 4,053 who were sampled, […]

Were Elon’s Politics A Significant Part of Cruddy Q1 Sales?

Let’s start with the hard numbers on this one. The Q1 2026 delivery numbers are officially out, and Tesla managed to deliver 358,023 vehicles. If you’re keeping track at home, that’s a pretty rough drop compared to the 386,810 cars they moved back in Q1 of 2024. Zach already put ... [continued]

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100% Of Copenhagen’s City Buses Are Now Electric

Though there is much interest in the electric vehicles used for personal transportation, it just may be large fleet vehicles electrifying that signals the beginning of the end for gas and diesel. Fleet vehicles typically are driven far more miles and put through more demanding use situations. Additionally, electric motors ... [continued]

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